<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' version='2.0'><channel><atom:id>tag:blogger.com,1999:blog-1268717463534583954</atom:id><lastBuildDate>Sun, 29 Jun 2008 21:17:15 +0000</lastBuildDate><title>ADAM CLAY</title><description/><link>http://www.adamclay.org/</link><managingEditor>noreply@blogger.com (Adam Clay)</managingEditor><generator>Blogger</generator><openSearch:totalResults>51</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-3730726683706126440</guid><pubDate>Thu, 26 Jun 2008 20:28:00 +0000</pubDate><atom:updated>2008-06-26T16:29:30.890-04:00</atom:updated><title>DURING</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.adamclay.org/uploaded_images/2613471637_2a072598cf-756621.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://www.adamclay.org/uploaded_images/2613471637_2a072598cf-756595.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.adamclay.org/uploaded_images/2614303308_e05045f0da-726249.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://www.adamclay.org/uploaded_images/2614303308_e05045f0da-726215.jpg" border="0" alt="" /&gt;&lt;/a&gt;</description><link>http://www.adamclay.org/2008/06/during.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-499092786470789033</guid><pubDate>Tue, 24 Jun 2008 17:30:00 +0000</pubDate><atom:updated>2008-06-24T13:43:49.424-04:00</atom:updated><title>NINTH LETTER</title><description>&lt;center&gt;&lt;img src="http://www.ninthletter.com/printed_journal/image_preview/9/preview.jpg"&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;Contributors:&lt;br /&gt;&lt;br /&gt;Fiction&lt;br /&gt;Natalie Bakopoulos, Jason Napoli Brooks, Blake Butler, Dina Guidubaldi, Said Shirazi, Steve Tomasula, Tom Whalen&lt;br /&gt;&lt;br /&gt;Nonfiction&lt;br /&gt;Carolyn Alessio, Ron Carlson, Nick Kowalczyk, Susannah B. Mintz, Lia Purpura, Mark Sanders, Arthur Saltzman, Brandy T. Wilson&lt;br /&gt;&lt;br /&gt;Poetry&lt;br /&gt;Erinn Batykefer, Curtis Bauer, Reginald Dwayne Betts, Mary Biddinger, Brian Christian, Adam Clay, David J. Clisbee, Frankie Drayus, Camille Dungy, John Estes, Twilight Greenaway, Francine J. Harris, Leslie Harrison, Tung-Hui Hu, Tim Hurley, David Keplinger, Jesse Lee Kercheval, Daniel Khalastchi, Greg Koehler, Jacqueline Jones LaMon, Susan Lewis, Bradford Gray Telford, Miles Waggener, Mark Yakich&lt;br /&gt;&lt;br /&gt;Art Feature&lt;br /&gt;Dave King&lt;br /&gt;&lt;br /&gt;Get it &lt;a href="http://www-s.art.uiuc.edu/ninthletter/store/cart.php?target=category&amp;category_id=249"&gt;here&lt;/a&gt;.</description><link>http://www.adamclay.org/2008/06/ninth-letter.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-705792394323696756</guid><pubDate>Wed, 18 Jun 2008 13:09:00 +0000</pubDate><atom:updated>2008-06-18T10:46:42.464-04:00</atom:updated><title>BEFORE</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.adamclay.org/uploaded_images/2583388857_7de15201d6-709386.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://www.adamclay.org/uploaded_images/2583388857_7de15201d6-709342.jpg" border="0" alt="" /&gt;&lt;/a&gt;</description><link>http://www.adamclay.org/2008/06/blog-post.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-3988359447076329542</guid><pubDate>Fri, 13 Jun 2008 14:58:00 +0000</pubDate><atom:updated>2008-06-13T11:00:50.530-04:00</atom:updated><title>Harp &amp; Altar: Issue 4</title><description>&lt;a href=" http://www.harpandaltar.com/home.php?i=4" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.harpandaltar.com/images/splash/Hilger%20cover%203.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px;" src="http://www.harpandaltar.com/images/splash/Hilger%20cover%203.jpg" border="0" alt="" /&gt;&lt;/a&gt;</description><link>http://www.adamclay.org/2008/06/harp-altar-issue-4.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-339758755899807524</guid><pubDate>Wed, 11 Jun 2008 22:30:00 +0000</pubDate><atom:updated>2008-06-11T18:37:58.998-04:00</atom:updated><title>"Her doorbell plays a bar of Stephen Foster..."</title><description>Where are you sending poems this summer?&lt;br /&gt;&lt;br /&gt;I'm listening to this right now:&lt;br /&gt;&lt;br /&gt;&lt;Center&gt;&lt;img src="http://dragcity.com/catalog/records/dc215.jpg"&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;It's perfect for right now. It should only be listened to on vinyl. I highly recommend the &lt;a href="http://dragcity.com/catalog/records/dc358.html"&gt;new album, too&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://dragcity.com/catalog/records/dc358.jpg"&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;I don't have it on vinyl, though. I imagine it will be even better on vinyl. I just pre-ordered it. Yes, those are elephants.&lt;br /&gt;&lt;br /&gt;I will be sending some poems out tomorrow--&lt;br /&gt;Our house is changing colors.</description><link>http://www.adamclay.org/2008/06/her-doorbell-plays-bar-of-stephen.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-9057981195362926082</guid><pubDate>Fri, 30 May 2008 11:06:00 +0000</pubDate><atom:updated>2008-05-30T07:16:59.465-04:00</atom:updated><title>LINEBREAK</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.adamclay.org/uploaded_images/linebreak-702993.gif"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://www.adamclay.org/uploaded_images/linebreak-702989.gif" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Have you seen &lt;a href="http://linebreak.org/"&gt;Linebreak&lt;/a&gt;? Much like &lt;a href="http://www.bornmagazine.com/"&gt;Born Magazine&lt;/a&gt;, it's a web-based journal that is doing something interesting with the media. Each week they publish a text version of the poem, along with an audio recording of the poem as read by another poet. &lt;br /&gt;&lt;br /&gt;This week they're featuring Heather Christle's &lt;a href="http://linebreak.org/25/onward-and-onward/"&gt;"Onward and Onward"&lt;/a&gt; with an audio recording by Yours Truly. Check it out. Send them some poems. Volunteer to read for them. &lt;br /&gt;&lt;br /&gt;On top of that, it's just plain nice to see a journal from Fayetteville. I miss Arkansas in a big way.&lt;br /&gt;&lt;br /&gt;To work!&lt;br /&gt;&lt;br /&gt;Onward (and Onward),</description><link>http://www.adamclay.org/2008/05/linebreak.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-3300796923930762745</guid><pubDate>Tue, 27 May 2008 13:01:00 +0000</pubDate><atom:updated>2008-05-27T09:01:55.212-04:00</atom:updated><title>Chess Update:</title><description>AC 2 : &lt;A href="http://lovelyarc.blogspot.com/"&gt;ZS&lt;/a&gt; 2</description><link>http://www.adamclay.org/2008/05/chess-update.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-8445567798140668412</guid><pubDate>Wed, 21 May 2008 22:35:00 +0000</pubDate><atom:updated>2008-05-21T18:35:13.588-04:00</atom:updated><title>Bob Hicok</title><description>A Primer&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I remember Michigan fondly as the place I go&lt;br /&gt;to be in Michigan. The right hand of America&lt;br /&gt;waving from maps or the left&lt;br /&gt;pressing into clay a mold to take home&lt;br /&gt;from kindergarten to Mother. I lived in Michigan&lt;br /&gt;forty-three years. The state bird&lt;br /&gt;is a chained factory gate. The state flower&lt;br /&gt;is Lake Superior, which sounds egotistical&lt;br /&gt;though it is merely cold and deep as truth.&lt;br /&gt;A Midwesterner can use the word “truth,”&lt;br /&gt;can sincerely use the word “sincere.”&lt;br /&gt;In truth the Midwest is not mid or west.&lt;br /&gt;When I go back to Michigan I drive through Ohio.&lt;br /&gt;There is off I-75 in Ohio a mosque, so life&lt;br /&gt;goes corn corn corn mosque, I wave at Islam,&lt;br /&gt;which we’re not getting along with&lt;br /&gt;on account of the Towers as I pass.&lt;br /&gt;Then Ohio goes corn corn corn&lt;br /&gt;billboard, goodbye, Islam. You never forget&lt;br /&gt;how to be from Michigan when you’re from Michigan.&lt;br /&gt;It’s like riding a bike of ice and fly fishing.&lt;br /&gt;The Upper Peninsula is a spare state&lt;br /&gt;in case Michigan goes flat. I live now&lt;br /&gt;in Virginia, which has no backup plan&lt;br /&gt;but is named the same as my mother,&lt;br /&gt;I live in my mother again, which is creepy&lt;br /&gt;but so is what the skin under my chin is doing,&lt;br /&gt;suddenly there’s a pouch like marsupials&lt;br /&gt;are needed. The state joy is spring.&lt;br /&gt;“Osiris, we beseech thee, rise and give us baseball”&lt;br /&gt;is how we might sound were we Egyptian in April,&lt;br /&gt;when February hasn’t ended. February&lt;br /&gt;is thirteen months long in Michigan.&lt;br /&gt;We are a people who by February&lt;br /&gt;want to kill the sky for being so gray&lt;br /&gt;and angry at us. “What did we do?”&lt;br /&gt;is the state motto. There’s a day in May&lt;br /&gt;when we’re all tumblers, gymnastics&lt;br /&gt;is everywhere, and daffodils are asked&lt;br /&gt;by young men to be their wives. When a man elopes&lt;br /&gt;with a daffodil, you know where he’s from.&lt;br /&gt;In this way I have given you a primer.&lt;br /&gt;Let us all be from somewhere.&lt;br /&gt;Let us tell each other everything we can.</description><link>http://www.adamclay.org/2008/05/bob-hicok.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-1917900473501337528</guid><pubDate>Fri, 16 May 2008 17:34:00 +0000</pubDate><atom:updated>2008-05-16T13:40:32.703-04:00</atom:updated><title>Goose Up!</title><description>You probably already know about this, but I wanted to tell you anyway.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.typomag.com/burningchair/uploaded_images/goose-up-flier-729269.jpg"&gt;&lt;img style="cursor: pointer;" src="http://www.typomag.com/burningchair/uploaded_images/goose-up-flier-728750.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Burning Chair Readings&lt;/span&gt;&lt;br /&gt;present&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Goose Up!&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Poetry!&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;at East Coast Aliens&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Saturday, May 17th, 3-8pm&lt;/span&gt;&lt;br /&gt;Doors 2:30 pm, $6&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Ana Božičević&lt;br /&gt;John Coletti&lt;br /&gt;Kate Greenstreet&lt;br /&gt;Sarah Gridley&lt;br /&gt;Katy Henriksen&lt;br /&gt;Shannon Jonas&lt;br /&gt;Jennifer Kronovet&lt;br /&gt;Mark Lamoureux&lt;br /&gt;Timothy Liu&lt;br /&gt;Chris Martin&lt;br /&gt;Jess Mynes&lt;br /&gt;Cate Peebles&lt;br /&gt;Christopher Rizzo&lt;br /&gt;Matthew Rohrer&lt;br /&gt;Frank Sherlock&lt;br /&gt;Joanna Sondheim&lt;br /&gt;Shanxing Wang&lt;br /&gt;Rebecca Wolff&lt;/span&gt;&lt;br /&gt;&lt;br /&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-family: Georgia;"&gt;w/ projections by&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 12pt; font-family: Georgia;"&gt;&lt;br /&gt;Stephen Hilger&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&amp;amp; music from&lt;span style="font-size:130%;"&gt;&lt;br /&gt;The Hadacol&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;Hosted by &lt;span style="font-style: italic;"&gt;Cannibal&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Harp &amp;amp; Altar&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Saltgrass&lt;/span&gt; &amp;amp; &lt;span style="font-style: italic;"&gt;Tight&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;East Coast Aliens&lt;/span&gt;&lt;br /&gt;216 Franklin St&lt;br /&gt;btwn. Green &amp;amp; Huron&lt;br /&gt;Greenpoint, Brooklyn&lt;br /&gt;G to Greenpoint Ave (exit at India St)&lt;br /&gt;B61/B43/B42&lt;br /&gt;&lt;a href="http://eastcoastaliens.com/"&gt;&lt;br /&gt;eastcoastaliens.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://typomag.com/burningchair"&gt;typomag.com/burningchair&lt;/a&gt;&lt;br /&gt;&lt;a href="http://flesheatingpoems.blogspot.com/"&gt;flesheatingpoems.blogspot.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://harpandaltar.com/"&gt;harpandaltar.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://saltgrasscontents.blogspot.com/"&gt;saltgrasscontents.blogspot.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://tightjournal.blogspot.com/"&gt;tightjournal.blogspot.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-weight: bold;"&gt;Ana Božičević&lt;/span&gt; moved to NYC from Croatia in 1997. She’s the author of chapbooks &lt;span style="font-style: italic;"&gt;Document&lt;/span&gt; (Octopus Books, 2007) and &lt;span style="font-style: italic;"&gt;Morning News&lt;/span&gt; (Kitchen Press, 2006). Look for her recent work in &lt;span style="font-style: italic;"&gt;Denver Quarterly&lt;/span&gt;&lt;span&gt;,&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Saltgrass&lt;/span&gt;&lt;span&gt;,&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Hotel Amerika&lt;/span&gt;&lt;span&gt;,&lt;/span&gt;&lt;span style="font-style: italic;"&gt; absent&lt;/span&gt;&lt;span&gt;,&lt;/span&gt;&lt;span style="font-style: italic;"&gt; The New York Quarterly&lt;/span&gt;&lt;span&gt;,&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Bat City Review&lt;/span&gt;&lt;span&gt;,&lt;/span&gt;&lt;span style="font-style: italic;"&gt; MiPOesias&lt;/span&gt;&lt;span&gt;,&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Octopus Magazine&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Portable Boog Reader 2: An Anthology of NYC Poetry.&lt;/span&gt; Ana co-edits &lt;span style="font-style: italic;"&gt;RealPoetik&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;John Coletti&lt;/span&gt; is the author of &lt;span style="font-style: italic;"&gt;The New Normalcy&lt;/span&gt; (BoogLit 2002), &lt;span style="font-style: italic;"&gt;Physical Kind&lt;/span&gt; (Yo-Yo-Labs 2005), and &lt;span style="font-style: italic;"&gt;Street Debris&lt;/span&gt; (Fell Swoop 2005), a collaboration with poet Greg Fuchs with whom he also co-edits Open 24 Hours Press. He currently is the editor of &lt;span style="font-style: italic;"&gt;The Poetry Project Newsletter&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Kate Greenstreet&lt;/span&gt; is the author of &lt;span style="font-style: italic;"&gt;case sensitive&lt;/span&gt; (Ahsahta Press, 2006) and three chapbooks, &lt;span style="font-style: italic;"&gt;Learning the Language&lt;/span&gt; (Etherdome Press, 2005), &lt;span style="font-style: italic;"&gt;Rushes&lt;/span&gt; (above/ground press, 2007), and &lt;span style="font-style: italic;"&gt;This is why I hurt you&lt;/span&gt; (Lame House Press, April 2008). Her second book, &lt;span style="font-style: italic;"&gt;The Last 4 Things&lt;/span&gt;, will be out from Ahsahta in 2009. Her poems can be found in journals like &lt;span style="font-style: italic;"&gt;Cannibal&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Fascicle&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt;Handsome&lt;/span&gt;. New work is forthcoming in &lt;span style="font-style: italic;"&gt;Filling Station&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Practice&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt;The Columbia Review&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sarah Gridley&lt;/span&gt; is Poet in Residence and a Lecturer in Creative Writing at Case Western Reserve University. She received an MFA in poetry from the University of Montana in 2000, where she was a Richard Hugo scholar and won the 1999 Merriam Frontier Award for excellence in creative writing. The University of California Press published her book &lt;span style="font-style: italic;"&gt;Weather Eye Open&lt;/span&gt; in 2005. She has recently completed a new poetry manuscript, whose poems have appeared or are forthcoming in &lt;span style="font-style: italic;"&gt;Fourteen Hills&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;NEO&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Harp &amp;amp; Altar&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Crazy Horse&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;jubilat&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Denver Quarterly&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;New American Writing&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt;Chicago Review&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Katy Henriksen&lt;/span&gt; was born and raised in the Arkansas Ozarks. She is the design editor of the poetry journal &lt;span style="font-style: italic;"&gt;Cannibal&lt;/span&gt;, which she creates with her husband Matt Henriksen in their tiny railroad apartment in Greenpoint, Brooklyn. She also helps run The Burning Chair Readings. Her music and culture writing may be found in &lt;span style="font-style: italic;"&gt;Venus Zine&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;The Brooklyn Rail&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Paste&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Publishers Weekly&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Puremusic.com&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Rust Buckle&lt;/span&gt;, and elsewhere. Four of her poems are forthcoming in &lt;span style="font-style: italic;"&gt;Tight&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Shannon Jonas&lt;/span&gt; is the author of Compathy (Cannibal Books, 2007) and lives in Kalamazoo, Michigan.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Jennifer Kronovet&lt;/span&gt; is the author of &lt;span style="font-style: italic;"&gt;Awayward&lt;/span&gt; (BOA Editions, 2009), selected by Jean Valentine as the winner of the Poulin Prize. Kronovet is the co-founder and co-editor of &lt;span style="font-style: italic;"&gt;CIRCUMFERENCE&lt;/span&gt;, a journal of poetry in translation. Her poems have appeared or are forthcoming in &lt;span style="font-style: italic;"&gt;Colorado Review&lt;/span&gt;,&lt;span style="font-style: italic;"&gt; Harp &amp;amp; Altar&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Ploughshares&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;A Public Space&lt;/span&gt;, and other journals. She was born and raised in New York City, and has lived in Chicago, St. Louis, and Beijing.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Mark Lamoureux&lt;/span&gt; is a poet, critic and translator who lives in Astoria, NY. His work has appeared in numerous publications, both in print and online. He is an associate editor for &lt;span style="font-style: italic;"&gt;Fulcrum Annual&lt;/span&gt;. He is the author of three chapbooks: &lt;span style="font-style: italic;"&gt;City/Temple&lt;/span&gt; (Ugly Duckling Presse, 2003), &lt;span style="font-style: italic;"&gt;29 Cheeseburgers&lt;/span&gt; (Pressed Wafer, 2004) and &lt;span style="font-style: italic;"&gt;Film Poems&lt;/span&gt; (Katalanche Press, 2005).&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Timothy Liu&lt;/span&gt; is the author of six books of poems, most recently &lt;span style="font-style: italic;"&gt;For Dust Thou Art&lt;/span&gt;. Two new books are forthcoming, &lt;span style="font-style: italic;"&gt;Bending the Mind Around the Dream's Blown Fuse&lt;/span&gt; (Talisman House, 2008) and &lt;span style="font-style: italic;"&gt;Polytheogamy&lt;/span&gt; (Saturnalia Press, 2009). His journals and papers are archived in the Berg Collection at the New York Public Library.  Liu is currently an Associate Professor at William Paterson University and on the Core Faculty at Bennington College’s Writing Seminars; he lives in Manhattan.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Chris Martin&lt;/span&gt; is the author of &lt;span style="font-style: italic;"&gt;American Music&lt;/span&gt;.  His new book, &lt;span style="font-style: italic;"&gt;Becoming Weather&lt;/span&gt;, is trying to become published.  His newer book, &lt;span style="font-style: italic;"&gt;On Song&lt;/span&gt;, is an ongoing investigation of song’s ontological use from the Caveman Days until Tonight.  He is the editor of &lt;span style="font-style: italic;"&gt;Puppy Flowers&lt;/span&gt;, an online magazine of the arts, and resides near the Prospect Park Zoo with a beautiful lady and her cat.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Jess Mynes&lt;/span&gt; is the author of &lt;span style="font-style: italic;"&gt;Birds for Example&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Coltsfoot Insularity&lt;/span&gt; (a collaboration with Aaron Tieger), &lt;span style="font-style: italic;"&gt;In(ex)teriors&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt;Full on Jabber&lt;/span&gt; (a collaboration with Christopher Rizzo). He is the editor of Fewer &amp;amp; Further Press. In 2008, his &lt;span style="font-style: italic;"&gt;If and When&lt;/span&gt; (Katalanche Press), &lt;span style="font-style: italic;"&gt;Sky Brightly Picked&lt;/span&gt; (Skysill Press), &lt;span style="font-style: italic;"&gt;Recently Clouds&lt;/span&gt;, and a second edition of &lt;span style="font-style: italic;"&gt;In(ex)teriors&lt;/span&gt; (Anchorite Press) will be published. He lives in Wendell, MA where he co curates a reading series, All Small Caps. His poems have appeared in numerous publications.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Cate Peebles&lt;/span&gt; lives in Brooklyn and works at the literary agency, Sobel Weber Associates, in Manhattan.  Her poems have appeared in, or are forthcoming from, &lt;span style="font-style: italic;"&gt;Tin House, Octopus, La Petite Zine, MiPOesias, Capgun&lt;/span&gt;, and others.  She co-edits the on-line poetry magazine, &lt;span style="font-style: italic;"&gt;Fou&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Christopher Rizzo&lt;/span&gt; is a writer and publisher who lives in New York. Over the years, his work has appeared in &lt;span style="font-style: italic;"&gt;Art New England&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;The Cultural Society&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Cannibal&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Dusie&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;H_NGM_N&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt;Spell&lt;/span&gt; among other magazines. Christopher has also authored several chapbooks, such as &lt;span style="font-style: italic;"&gt;Claire Obscure&lt;/span&gt; (Katalanche Press, 2005), &lt;span style="font-style: italic;"&gt;Zing&lt;/span&gt; (Carve Editions, 2006), and &lt;span style="font-style: italic;"&gt;The Breaks&lt;/span&gt; (Fewer &amp;amp; Further Press, 2006). &lt;span style="font-style: italic;"&gt;Full on Jabber&lt;/span&gt;, a collaborative work written with poet Jess Mynes, was released by Martian Press in 2007. Christopher also edits Anchorite Press, an independent poetry publisher of innovative work. He is a doctoral candidate in English at the University at Albany.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Matthew Rohrer&lt;/span&gt; is the author of five books of poetry, most recently &lt;span style="font-style: italic;"&gt;RISE UP&lt;/span&gt;, published by Wave Books. He teaches in the creative writing program at NYU and lives in Brooklyn.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Frank Sherlock&lt;/span&gt; is the co-author of the newly released &lt;span style="font-weight: bold;"&gt;Ready-to-Eat Individual&lt;/span&gt; with Brett Evans.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Joanna Sondheim&lt;/span&gt;’s chapbooks, &lt;span style="font-style: italic;"&gt;The Fit&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Thaumatrope&lt;/span&gt;, were published by Sona Books in 2004 and 2007, respectively. Recent work appears in &lt;span style="font-style: italic;"&gt;Unsaid&lt;/span&gt; magazine.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Shanxing Wang&lt;/span&gt; was born in Jinzhong, Shanxi province, China, in 1965. He moved to the U.S. in 1991 to pursue a PhD in mechanical engineering at University of California at Berkeley. While an assistant professor of engineering at Rutgers University, he began taking writing courses at Rutgers and later the Poetry Project, and subsequently received a Zora Neale Hurston Scholarship to attend the summer writing program at Naropa University in Colorado in 2003. His first book &lt;span style="font-style: italic;"&gt;Mad Science in Imperial City&lt;/span&gt; (Futurepoem Books, 2005) won the 2006 Asian American Literary Award for Poetry. His current thinking and struggling focuses on intersections of poetry/poetics with physics/mathematics, history, visual arts, and continental philosophy. He is also a competitive table tennis player and a table tennis coach. He lives and writes in Queens and he has a blog: &lt;a href="http://shanxingwang.blogspot.com/"&gt;shanxingwang.blogspot.com&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Rebecca Wolff&lt;/span&gt; is the author of &lt;span style="font-style: italic;"&gt;Manderley&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Figment&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt;The King&lt;/span&gt; (forthcoming 2009). She is the publisher and editor of &lt;span style="font-style: italic;"&gt;Fence&lt;/span&gt;, Fence Books, and &lt;span style="font-style: italic;"&gt;The Constant Critic&lt;/span&gt;, and is a fellow of the New York State Writers Institute, with which &lt;span style="font-style: italic;"&gt;Fence&lt;/span&gt; is affiliated. She lives in Athens, New York.&lt;/div&gt;</description><link>http://www.adamclay.org/2008/05/goose-up.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-6984354686566734753</guid><pubDate>Thu, 15 May 2008 11:29:00 +0000</pubDate><atom:updated>2008-05-15T07:29:43.735-04:00</atom:updated><title>diode, v1n3, contents</title><description>&lt;center&gt;&lt;img src="http://www.diodepoetry.com/images/diode.jpg"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.diodepoetry.com/v1n3/index.html"&gt;diode, v1n3&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;Gennady Aygi, trans. Sarah Valentine&lt;br /&gt;Daniel Borzutzky&lt;br /&gt;Blake Butler&lt;br /&gt;Lauren Caldwell &amp;amp; Emily Rosko&lt;br /&gt;Liz Canfield&lt;br /&gt;Andrea Cohen&lt;br /&gt;Julia Cohen&lt;br /&gt;Rebecca Cook&lt;br /&gt;J. P. Dancing Bear&lt;br /&gt;Emily Kendal Frey &amp;amp; Zachary Schomburg &lt;br /&gt;Richard Garcia&lt;br /&gt;Brent Goodman&lt;br /&gt;Noah Eli Gordon&lt;br /&gt;Arpine Konyalian Grenier&lt;br /&gt;Matthew Guenette&lt;br /&gt;Sueyeun Juliette Lee&lt;br /&gt;Sandy Longhorn&lt;br /&gt;Rebecca Loudon&lt;br /&gt;Amjad Nasser, trans. Khaled Mattawa&lt;br /&gt;Sea S. Perez&lt;br /&gt;Jon Pineda&lt;br /&gt;Emily Rosko&lt;br /&gt;Jeffrey Thomson&lt;br /&gt;Matthew Thorburn&lt;br /&gt;Joe Wilkins&lt;br /&gt;&lt;/center&gt;</description><link>http://www.adamclay.org/2008/05/diode-v1n3-contents.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-4200704542906443046</guid><pubDate>Tue, 13 May 2008 16:21:00 +0000</pubDate><atom:updated>2008-05-13T17:09:09.538-04:00</atom:updated><title>TYPO 11: http://www.typomag.com/issue11</title><description>&lt;a href="http://www.typomag.com/issue11"&gt;http://www.typomag.com/issue11&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Paige Ackerson-Kiely&lt;br /&gt;Lucy Biederman&lt;br /&gt;Christopher Deweese&lt;br /&gt;Farrah Field&lt;br /&gt;Andrew Grace&lt;br /&gt;Jane Gregory&lt;br /&gt;Kirsten Kaschock&lt;br /&gt;Karla Kelsey&lt;br /&gt;Dorothea Lasky&lt;br /&gt;Kristi Maxwell&lt;br /&gt;Karyna McGlynn&lt;br /&gt;Patrick Morrissey&lt;br /&gt;Michael Robins&lt;br /&gt;Eleni Sikelianos&lt;br /&gt;Matvei Yankelevich</description><link>http://www.adamclay.org/2008/05/typo-11-httpwwwtypomagcomissue11.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-8098966273288029739</guid><pubDate>Mon, 12 May 2008 12:51:00 +0000</pubDate><atom:updated>2008-05-12T08:52:48.944-04:00</atom:updated><title>Third Coast</title><description>&lt;center&gt;&lt;img src="http://www.thirdcoastmagazine.com/images/cover.jpg" border=4&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;The new issue of &lt;I&gt;Third Coast&lt;/i&gt; is out. Details &lt;a href="http://www.thirdcoastmagazine.com/current/"&gt;here&lt;/a&gt;.</description><link>http://www.adamclay.org/2008/05/third-coast.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-7168261432003262462</guid><pubDate>Sat, 10 May 2008 16:50:00 +0000</pubDate><atom:updated>2008-05-10T12:54:58.519-04:00</atom:updated><title>Dear Readers,</title><description>I've been reading for my qualifying exams later this summer. I have the usual suspects as far as secondary texts go, but if you have some suggestions for critical works that might be helpful, let me know. I've linked to the reading lists below:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.wmich.edu/english/gradhandbook/rdglist/AmLit2.htm"&gt;American Literature 1865-1945&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.wmich.edu/english/gradhandbook/rdglist/ModBrit.htm"&gt;Modern British Literature 1900 to 1950&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Much obliged,</description><link>http://www.adamclay.org/2008/05/dear-readers.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-5124261361193987939</guid><pubDate>Thu, 08 May 2008 16:56:00 +0000</pubDate><atom:updated>2008-05-08T12:56:54.211-04:00</atom:updated><title>TYPO</title><description>The new issue of &lt;a href="http://www.typomag.com"&gt;TYPO&lt;/a&gt; will be out this week. We're awfully proud of it.&lt;br /&gt;&lt;br /&gt;Soon,</description><link>http://www.adamclay.org/2008/05/typo.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-3163055382412662446</guid><pubDate>Thu, 08 May 2008 15:52:00 +0000</pubDate><atom:updated>2008-05-08T12:07:43.278-04:00</atom:updated><title>Update</title><description>It's been too long, I know. Cranked out an essay for my last class at Western, read at University of Illinois at Urbana-Champaign and Manchester College, visited some family in Cincinnati. All not necessarily in that order. Right now it's the summer semester, and I'm reading for my qualifying exams. What other news? &lt;a href="http://flesheatingpoems.blogspot.com/"&gt;Cannibal Books&lt;/a&gt; is publishing a chapbook of mine sometime in the near future. One of our dogs caught a squirrel and let it go. We're probably headed out west some this summer. &lt;br /&gt;&lt;br /&gt;I should get back to the books.&lt;br /&gt;&lt;br /&gt;To work,</description><link>http://www.adamclay.org/2008/05/update.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-1165227950132511084</guid><pubDate>Wed, 16 Apr 2008 13:26:00 +0000</pubDate><atom:updated>2008-04-16T09:28:19.253-04:00</atom:updated><title>UIUC Reading</title><description>I'm reading at Union Bookstore on Friday, April 18, 4:30 p.m at the University of Illinois at Urbana-Champaign. Details are &lt;a href="http://ninthletter.blogspot.com/2008/04/adam-clay-reading.html"&gt;here&lt;/a&gt;.</description><link>http://www.adamclay.org/2008/04/uiuc-reading.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-6731542909975689528</guid><pubDate>Tue, 15 Apr 2008 12:23:00 +0000</pubDate><atom:updated>2008-04-15T08:23:49.839-04:00</atom:updated><title>PLACE</title><description>I'm putting together a list of poets who actively engage with place in their work. &lt;br /&gt;&lt;br /&gt;Talk to me.</description><link>http://www.adamclay.org/2008/04/place.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-2672764106894580254</guid><pubDate>Sun, 13 Apr 2008 14:16:00 +0000</pubDate><atom:updated>2008-04-13T10:16:54.101-04:00</atom:updated><title>New Kate Greenstreet Chapbook</title><description>&lt;a href="http://lamehouse.blogspot.com/2008/04/now-available-for-pre-order.html"&gt;Available for pre-order at Lame House Press&lt;/a&gt;.</description><link>http://www.adamclay.org/2008/04/new-kate-greenstreet-chapbook.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-9101835898667795974</guid><pubDate>Mon, 31 Mar 2008 15:08:00 +0000</pubDate><atom:updated>2008-03-31T11:09:26.202-04:00</atom:updated><title>CLAY MATTHEWS</title><description>&lt;CENTER&gt;&lt;A HREF="http://ghostroad.wordpress.com/work/superfecta-by-clay-matthews/"&gt;&lt;br /&gt;&lt;br /&gt;&lt;IMG SRC="http://ghostroadpress.com/covers/matthews_2X3_web.png"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/A&gt;&lt;/CENTER&gt;</description><link>http://www.adamclay.org/2008/03/clay-matthews-get-it.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-1736247318983378165</guid><pubDate>Thu, 27 Mar 2008 23:05:00 +0000</pubDate><atom:updated>2008-03-27T19:05:23.760-04:00</atom:updated><title>Forecast</title><description>Tonight: Periods of snow, mainly before 4am. Low around 26. East northeast wind between 13 and 16 mph, with gusts as high as 25 mph. Chance of precipitation is 90%. Total nighttime snow accumulation of around 4 inches.</description><link>http://www.adamclay.org/2008/03/forecast.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-626125882581567417</guid><pubDate>Tue, 25 Mar 2008 11:14:00 +0000</pubDate><atom:updated>2008-03-25T07:17:34.492-04:00</atom:updated><title>POETRY MAGAZINE</title><description>I'm trying to find the Table of Contents for all of the issues of &lt;I&gt;Poetry Magazine&lt;/i&gt; published in 1925. Anyone have some leads? Our library's collection doesn't go back that far, but I'm sure there's some info on the web somewhere.</description><link>http://www.adamclay.org/2008/03/poetry-magazine.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-1231787828345659217</guid><pubDate>Fri, 14 Mar 2008 11:34:00 +0000</pubDate><atom:updated>2008-03-14T07:35:41.035-04:00</atom:updated><title>Now Reading:</title><description>&lt;center&gt;&lt;img src="http://www.coffeehousepress.org/covers/romanceofhappyworkersb.jpg" border=2&gt;&lt;br /&gt;&lt;br /&gt;Get it &lt;a href="http://www.coffeehousepress.org/theromanceofhappyworkers.asp"&gt;here&lt;/a&gt;.&lt;/center&gt;</description><link>http://www.adamclay.org/2008/03/now-reading.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-6580148415213433078</guid><pubDate>Thu, 13 Mar 2008 13:12:00 +0000</pubDate><atom:updated>2008-03-13T09:13:30.140-04:00</atom:updated><title>TOST--thanks for sharing this some time ago</title><description>&lt;object width="425" height="355"&gt;&lt;param name="movie" value="http://www.youtube.com/v/RUUNslMcGh8&amp;hl=en"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/RUUNslMcGh8&amp;hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"&gt;&lt;/embed&gt;&lt;/object&gt;</description><link>http://www.adamclay.org/2008/03/tost-thanks-for-sharing-this-some-time.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-9185967824483706140</guid><pubDate>Wed, 05 Mar 2008 14:14:00 +0000</pubDate><atom:updated>2008-03-05T09:27:47.449-05:00</atom:updated><title>Hank, Dylan, Chicago, Kansas City, Lincoln</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.talentondisplay.com/graphics/shaunhank3.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px;" src="http://www.talentondisplay.com/graphics/shaunhank3.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I am listening to Bob Dylan cover Hank Williams' "I Can't Get you Off my Mind." It's perfect for today. The sun is out. We did not get five inches of snow as previously suggested that we might receive. In fact, we had none. &lt;br /&gt;&lt;br /&gt;Do you live in Chicago? You should move there. Why? Because of this reading tonight.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;---&lt;br /&gt;&lt;br /&gt;POETRY READING BY KATE GREENSTREET, AIMEE NEZHUKUMATATHIL, &amp; MICHAEL ROBINS&lt;br /&gt; &lt;br /&gt;What: A poetry reading by a diverse group of emerging poets--painter and poet, Kate Greenstreet; English professor, Aimee Nezhukumatathil; and Columbia College Chicago adjunct professor, Michael Robins.&lt;br /&gt; &lt;br /&gt;These three poets vary in ethnicity, age, and writing style, but as intriguing, promising authors, they meld into the right mixture of dream, wit, and suspense for what is sure to be a captivating reading. &lt;br /&gt; &lt;br /&gt;“Kate Greenstreet's first book, case sensitive, from Ahsahta Press, is a wonderful hypnotic interweaving of narrative, dialogue, science, and mystery. The book has garnered positive buzz in the blog world and many positive reviews from places like ForeWord Magazine, and case sensitive doesn't disappoint; as twisty and turning as any good mystery ought to be, it satisfies those looking for subtlety, intelligence, and a deeply embedded sense of speaker as reader.” --Eclectica Magazine&lt;br /&gt; &lt;br /&gt;“Aimee Nezhukumatathil’s poems are ripe, funny, and fresh as a precious friendship. They're the fullness of days, deliciously woven of heart and verve, rich with sources and elements--animals, insects, sugar, cardamom, legends, countries, relatives, soaps, fruits--taste and touch. I love the nubby layerings of lines, luscious textures and constructions. Aimee writes with a deep resonance of spirit and sight. She's scared of nothing. She knows that many worlds may live in one house. Poems like these revive our souls. Read them, then say her glorious name over and over again like a charm of syllables -- it's a poem of its own.” --Naomi Shihab Nye&lt;br /&gt; &lt;br /&gt;“Michael Robins’ prismatic poems open windows, then close them, so we’re always getting glimpses of light that suggest a larger world. With never a syllable to spare, these poems are beautiful and haunting. I know of nothing like them.” --James Tate, winner of the 1992 Pulitzer Prize for Poetry&lt;br /&gt; &lt;br /&gt;WHEN:                       Wednesday, March 5, 2008, 5:30 p.m.&lt;br /&gt;WHERE:                     Music Center Concert Hall, 1014 S. Michigan Ave&lt;br /&gt;HOW MUCH:             Free and Open to the Public&lt;br /&gt;MORE INFO:            Becca Klaver, (312) 344-8819&lt;br /&gt; &lt;br /&gt;---&lt;br /&gt;&lt;br /&gt;Kim and I will be there. We're flying out of Chicago later this evening and were lucky enough to schedule our flight for March 5th. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.adamclay.org/uploaded_images/Clean+Part+Poster+3_08_08+WEB-753890.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://www.adamclay.org/uploaded_images/Clean+Part+Poster+3_08_08+WEB-753880.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Then we're headed down to Kansas City for a few days before heading up to Lincoln for &lt;a href="http://www.thecleanpart.blogspot.com/"&gt;The Clean Part Reading Series&lt;/a&gt;. Come check it out. The Clean Part has all grown up since the last time I saw it. I can't wait to pinch its cheeks and say, "Look at how much you've grown, Clean Part!" Don't tell The Clean Part, but I have a shiny quarter in my coat pocket for The Clean Part too.&lt;br /&gt;&lt;br /&gt;See you there.</description><link>http://www.adamclay.org/2008/03/hank-dylan-chicago-kansas-city-lincoln.html</link><author>noreply@blogger.com (Adam Clay)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-1268717463534583954.post-7092626781983549380</guid><pubDate>Tue, 04 Mar 2008 13:55:00 +0000</pubDate><atom:updated>2008-03-04T09:00:32.608-05:00</atom:updated><title>Zach? Mathias?</title><description>&lt;center&gt;&lt;img src="http://i.l.cnn.net/cnn/2008/TECH/03/04/octopus.uk/art.hexapus.jpg"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.cnn.com/2008/TECH/03/04/octopus.uk/index.html"&gt;World's first six-legged octopus discovered&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;In other Octopus-related news:&lt;br /&gt;&lt;br /&gt;&lt;img src="http://bp0.blogger.com/_489hHenGv0g/R8YBFjA-RMI/AAAAAAAABhw/2GcDlwg25Z8/s320/background_issue10.gif"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.octopusmagazine.com/"&gt;Octopus #10&lt;/a&gt;. Please, pace yourselves.&lt;br /&gt;&lt;br /&gt;80 Poets&lt;br /&gt;&lt;br /&gt;Claire Hero&lt;br /&gt;Jane Wong&lt;br /&gt;CD Wright&lt;br /&gt;Phil Cordelli&lt;br /&gt;Demosthenes Agrafiotis&lt;br /&gt;translated by John Sakkis and Angelos Sakkis&lt;br /&gt;Paul Fattaruso&lt;br /&gt;Cecily Parks&lt;br /&gt;Laura Sims&lt;br /&gt;&lt;br /&gt;Ada Limon&lt;br /&gt;Anthony Hawley&lt;br /&gt;Karyna Mcglynn&lt;br /&gt;Jessica Bozek&lt;br /&gt;David Goldstein&lt;br /&gt;Hillary Gravendyk&lt;br /&gt;Christopher Salerno&lt;br /&gt;Martha Ronk&lt;br /&gt;&lt;br /&gt;Lewis Warsh&lt;br /&gt;Geoff Bouvier&lt;br /&gt;Jeff Downey&lt;br /&gt;Matvei Yankelevich&lt;br /&gt;Juliet Cook&lt;br /&gt;Dorothea Lasky&lt;br /&gt;Linh Dinh&lt;br /&gt;Julie Doxsee&lt;br /&gt;&lt;br /&gt;Greta Wrolstad&lt;br /&gt;GC Waldrep&lt;br /&gt;Vincent Zompa&lt;br /&gt;Cesar Vallejo&lt;br /&gt;translated by Rachel Galvin&lt;br /&gt;Jordan Davis&lt;br /&gt;Sandra Simonds&lt;br /&gt;Emily Kendal Frey&lt;br /&gt;Will Oldham&lt;br /&gt;&lt;br /&gt;Hiraide Takashi&lt;br /&gt;translated by Sawako Nakayasu&lt;br /&gt;Caroline Knox&lt;br /&gt;Bronwen Tate&lt;br /&gt;Allison Titus&lt;br /&gt;Erica Ehrenberg&lt;br /&gt;Cynthia Cruz&lt;br /&gt;Lara Glenum&lt;br /&gt;Brett Price&lt;br /&gt;&lt;br /&gt;Karen Volkman&lt;br /&gt;Laura Mullen&lt;br /&gt;Rob Schlegel&lt;br /&gt;Sara Veglahn&lt;br /&gt;Adam Clay&lt;br /&gt;Nathan Bartel&lt;br /&gt;Sandra Miller&lt;br /&gt;Brenda Hillman&lt;br /&gt;&lt;br /&gt;Robyn Schiff&lt;br /&gt;Tomaz Salamon&lt;br /&gt;trans Brian Henry&lt;br /&gt;Steve Langan&lt;br /&gt;Cate Peebles&lt;br /&gt;Chad Reynolds&lt;br /&gt;Sandy Florian&lt;br /&gt;Dave Carillo&lt;br /&gt;DA Powell&lt;br /&gt;&lt;br /&gt;Dan Hoy&lt;br /&gt;Daniel Coudriet&lt;br /&gt;Craig Foltz&lt;br /&gt;Laura Solomon&lt;br /&gt;Eugen Jebeleanu&lt;br /&gt;translated by Matthew Zapruder &amp; Radu Ioanid&lt;br /&gt;Claire Becker&lt;br /&gt;Jason Bredle&lt;br /&gt;Jen Tynes&lt;br /&gt;&lt;br /&gt;Cynthia Arrieu King&lt;br /&gt;Peter Jay Shippy&lt;br /&gt;KC Trommer&lt;br /&gt;Stephanie Strickland&lt;br /&gt;Susan Cronin&lt;br /&gt;Stephanie Anderson&lt;br /&gt;Michael Ives&lt;br /&gt;Bethany Wright&lt;br /&gt;&lt;br /&gt;Anne Marie Rooney&lt;br /&gt;Shane MacRae&lt;br /&gt;Michael Loughran&lt;br /&gt;Karla Kelsey &amp; Peter Yumi&lt;br /&gt;Raymond Queneau&lt;br /&gt;translated by Rachel Galvin&lt;br /&gt;Heather Green&lt;br /&gt;Grace Egbert&lt;br /&gt;Brenda Iijima&lt;br /&gt;&lt;br /&gt;Reviews of&lt;br /&gt;&lt;br /&gt;Gabriel Gudding’s Rhode Island Notebook&lt;br /&gt;Ariana-Sophia M. Kartsonis’ Intaglio&lt;br /&gt;John Keene and Christopher Stackhouse’s Seismosis&lt;br /&gt;Shin Yu Pai’s Sightings: Selected Works (2000-2005).&lt;br /&gt;Max Winter’s The Pictures&lt;br /&gt;Cate Marvin’s Fragment of the Head of a Queen&lt;br /&gt;Richard Meier’s Shelley Gave Jane a Guitar&lt;br /&gt;Matias Viegener and Christine Wertheim’s The noulipian Analects&lt;br /&gt;Lisa Robertson’s The Men&lt;br /&gt;&lt;br /&gt;By&lt;br /&gt;&lt;br /&gt;Robbie Q. Telfer&lt;br /&gt;Lesley Jenike&lt;br /&gt;Karla Kelsey&lt;br /&gt;Joshua Butts&lt;br /&gt;Kathleen Rooney&lt;br /&gt;Stan Apps&lt;br /&gt;Michael Flatt&lt;br /&gt;Lucy Ives&lt;br /&gt;&lt;br /&gt;And an Interview&lt;br /&gt;with Dorothea Lasky By Joshua Marie Wilkinson&lt;br /&gt;&lt;br /&gt;Editors: Zachary Schomburg &amp; Mathias Svalina&lt;br /&gt;Contributing Editor: Brandon Shimoda&lt;br /&gt;Website Design: Denny Schmickle&lt;br /&gt;Editorial Assistant: Alisa Heinzman&lt;br /&gt;Intern: Chelsea Dappen&lt;br /&gt;&lt;/center&gt;</description><link>http://www.adamclay.org/2008/03/zach-mathias.html</link><author>noreply@blogger.com (Adam Clay)</author></item></channel></rss>